I went through that. The oleographs produced by the press were mostly of Hindu gods and goddesses in scenes adapted mainly from the Mahabharata, the Ramayana and the Puranas. We are fancy as FUCK.) Balan Nambiar, [born 1937, Kannapuram, Kerala] studied sculpture in the Madras College of Arts and Crafts, Chennai. Parallèlement à son exposition personnelle à la galerie, Pushpamala N. participera à l’exposition « Histoires parallèles : Pays mêlés » (commissariat Pi :es-Alain Buffard), Chapelle des Jésuites, Nîmes du 7 … She is known for her ’photo performances’ where she herself takes part. Pushpamala’s photographic works are usually created as series, some the artist refers to as projects, others as ‘photo-romances’. Please follow the instructions below to allow notifications to be sent from The National. Written by Vandana Kalra | Updated ... Kaikeyi and Surpanakha from Ramayana, and The Arrival of Vasco da Gama (2014) was based on an 1898 oil painting by Jose Veloso Salgado, that saw Pushpamala play her first male role as the navigator, with artist friends in the tableau. The inversions establish the mirror image as a separate, tangible ‘counter-site’, to which Pushpamala adds one more incongruity. Pushpamala N, Abduction/Flight, 2012, archival inkjet print, 89 x 130 cm L'artiste se met en scène sous diverses identités : une démarche d'appropriation qui fait penser aux incarnations multiples de Cindy Sherman, version indienne. We always have lots to share, so sign up and get the scoop! ARTINFO selects a video work by Pushpamala N., Indrajaala/Seduction, as a highlight of the show. (Pushpamala N, Kichaka-Sairandhri, 1890) ... Ramayana , the famous Sanskrit epic speaks of a demon, Ravana, who abducts Ram s beautiful wife and misbehaves with her. ‘The Passion’ takes a sideways look at the place of women in this ideal state. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. 2 Pushpamala N. (born 1956), India. Du 1er mars au 20 avril Deuxième exposition personnelle en France, à la galerie Zürcher, de Pushpamala N. (née en 1956), artiste originaire de Bangalore où elle vit. Ramayana StoRieS in mode Rn South ... n A Sto R ie S in m od e R ... Women of South India: Manners and Customs,” by Pushpamala n and Clare Arni. 1, Spring 1986, p. 24. Then there is The Arrival of Vasco da Gama, a contemporary take on Orientalist and colonialist perceptions of the East: essentially, how Europe, through the arrival of da Gama, views the feudal societies of the East. Exhibition continues to Saturday, April 28th, 2012. Born 1956, Bangalore, India Lives and works between Bangalore and New Delhi, India Pushpamala N has carved a niche for herself in the international art circles. Few know its meaning. In the ‘Wilderness’ chapter of the Indian epic Ramayana, Sita, the pinnacle of feminine virtue, yields briefly to temptation and is abducted by Ravana. Pushpamala N. Trained as a sculptor at the Faculty of Fine Arts at MS University, Baroda, the Bangalore-based artist shifted to photographic works in the 90s. Artist Pushpamala N on the wonders of photography, her new exhibition and why she is a trendsetter. 4 Walter Benjamin, ‘A small history of photography’, in One way street and other writings, translated by Edmund Jephcott and Kingsley Shorter, London and New York: Verso, 1997, pp. The only detail establishing the ‘utopian’ virtuality of the mirror image is a faint reflection of the artist’s hand placed at the lower-right edge of the pool. In still from his recent film Pather Panchali. Gallery Chemould Mumbai. In contrast to the common knowledge of Sita’s vulnerability at abduction, familiar from Valmiki’s classic narration of the epic, Ravana and Sita exist together here in a space of reverie. Some of the narrative's most probing and innovative retellings have appeared in print in the last 100 years in the region of South India. Comme Cindy Sherman, l'artiste indienne, photographe et cinéaste, Pushpamala N. se met en scène sous diverses identités, soit pour illustrer les rôles sociaux d Paper size: 20×24 inches. Pushpamala N. is a photo and visual artist based in Bangalore, India. In the series ‘Avega — The Passion’ (2012), she explored the characters of Sita, Kaikeyi and Surpanakha from Ramayana, and The Arrival of Vasco da Gama (2014) was based on an 1898 oil painting by Jose Veloso Salgado, that saw Pushpamala play her first male role as the navigator, with artist friends in the tableau. The photographic story focuses on three feminine figures of Ramayana, one of the two Indian mythological sagas written in Sanskrit between the… Pushpamala N, sculptures, Venkatappa Art Gallery, Bangalore. Ajay Sinha Upstairs, the lady herself was present for a salon. The series Avega - The Passion, by Indian artist Pushpamala N. is currently on display at the Nature Morte Gallery in New Delhi. Everything else in the photograph puzzles. Edition of 20. The Arrival of Vasco da Gama (2014). Pushpamala N herself stars in key moments in the Avega. 1 José Veloso Salgado (1864-1945), Portugal.The Arrival of Vasco da Gama (1898) oil on canvas. Nature Morte is pleased to present a solo exhibition of new works by the … She was formally trained as a sculptor and eventually shifted to photography to explore her interest in narrative figuration. Quoted in ARTINFO, Pushpamala N. clarifies the questioning stance of her series: The Ramayana is seen as the national epic and the rule of Rama – Ramarajya – is seen as the ideal governance, invoked by Gandhi during the nationalist struggle and now used by Hindu fundamentalists. Shadi Ghadirian, Iran b.1974 / Untitled (from ‘Ghajar’ series) 2000, printed 2007 (and installation view) / Silver bromide print, ed. Tamil folk narrative. Sparsha: Hindu Ritual and Contemporary Indian Art, Kunstmuseum Bochum, Germany. On Day 2 of the Amrita Shergill art week, a slide lecture by Pushpamala N held the audience in thrall. Jodi Throckmorton With Atreyee Gupta, Latika Gupta, Susan Krane, and Raqs Media Collective Postdate Photography and Inherited History in India San Jose Museum of Art in association with University of California Press contents Postdate: Photography and Inherited History Published in association with Front cover: Pushpamala N. and Clare Arni, Introduction susan krane 7 in India … Gitanjali Dang. Rama’s wife Sita and brother Lakshmana join him in the forest, where they remain for 14 years until Surpanakha, the shape-shifting demoness, tries to seduce the brothers. Pushpamala N is a photo and video performance artist who is the protagonist of her own elaborate compositions, exploring the medium in various ways to document ethnographic prototypes. Many know the story. She uses elements of popular culture in her art to explore place, gender and history. Type C print on metallic paper. For Pushpamala N the process of creation is multifaceted, involving her in all aspects of what have become increasingly complex theatrical tableaux. Lille 3000 Espace Croise Roubaix. In her recent body of works exhibited at Nature Morte, New Delhi, “Avega – The Passion”, Pushpamala N. selects three women from the Ramayana as the exemplar of Indian culture and society. PARIS Pushpamala N Avega - The Passion (Abduction) Mar 1 - Apr 20, 2013. Explore portraiture and come face to face with Australian identity, history, culture, creativity and diversity. Pushpamala is a pioneer among conceptual artists in the country, whose wide-ranging work includes photographic series like Avega (on the Ramayana), Return of the Phantom Lady (Sinful City) and Native Women of South India, in which the artist has directed herself (and others) to produce performative photography on familiar themes. Pushpamala N. 87. 114. Pushpamala seems to read the world like a “complex and stratified, open and enigmatic” literary work that she makes up as she weaves her way through a mysterious urban territory where, right down to the flow of the images, we find the “halting” nature of the City according to Benjamin, like a succession of paintings put together with brushstrokes. The (real) lily pads further contribute to the disorientation, hovering like dull, flat shadows in contrast to the two luminous faces and the glitter of Ravana’s garment on the glassy surface of the pool. She has also made experimental short films that play with film genres. Retrouvez ici notre couverture de toutes les expositions photographiques dans le monde, dans les galeries, les musées ou espaces culturels, avec des analyses, … Pushpamala works also extends to experimental short films, live performance and sculptural tableau, bringing in movement, text and sound to her structured compositions. They recall history paintings, and the use of ornate gold frames brings to mind mythological scenes occupying ceilings and overdoors in Baroque and Rococo interiors. The play provides the basis for the ﬁ lm by Aravindan that Usha Zacharias analyzes (#9) in Ramayana Stories in Modern South India. Her work has been described as performance photography, as she frequently uses herself as model in her own work. Pushpamala N. is a photo and visual artist based in Bangalore, India. I don’t know Sanskrit myself, so I had a pundit read them out to me day by day. Timed ticketing, location, accessibility and amenities. On Day 2 of the Amrita Shergill art week, a slide lecture by Pushpamala N held the audience in thrall. 1 In one image the body arches limply towards the picture frame, as in Henry Fuseli’s Nightmare, combining desire and terror into what can be called a little death (petit mort ). Pushpamala N herself stars in key moments in the Avega. Proudly created with Wix.com. … ing the Ramayana, Voices from Kerala (2005), appeared in print. Vernissage le 1er mars. INDIA: Described as “the most entertaining artist-iconoclast of contemporary Indian art”, Pushpamala N’s pioneering and influential feminist–conceptual photographic performance works seek to subvert the dominant cultural and intellectual discourse in India. Pushpamala seizes this moment and elaborates on it, playing the role of Rama’s demure wife swept away by the demon. Galerie Zürcher 56, rue Chapon 75003 Paris . Other aspects of the body – its internal glow produced by studio lighting, its poses of surrender and facial expressions more forlorn than fearful – hint at the iconography of the odalisque, the subject of Orientalist paintings and literature, embodying the magic and mystery of distant lands in the context of early-modern, global, cultural encounters. While she relies on others to click the camera shutter, hers is the guiding vision. Sita’s moment of crisis thus becomes intervisually dense and ambiguously erotic. Ramayana Stories in Modern South India. The warrior king Rama is banished by his evil stepmother … Artist Pushpamala N on her new projects that are both linked by archival texts written in extinct languages and scripts. In 1971 he moved to Bangalore and has been working in the city as an independent artist. Pushpamala’s performative photography and videos sometimes function as a kind of installation, where the exhibit may resemble a film or theatre museum or even a movie theatre. In the short film the artist plays the role of Surpanakha, the demoness from the Ramayana whose passion causes conflict between two brothers. She lives and works in Bangalore and New Delhi, India. Artist Biography. ARTINFO selects a video work by Pushpamala N., Indrajaala/Seduction, as a highlight of the show. Surpanakha goes to her brother, Ravana, for revenge. She curates small, intimate shows that ‘travel and grow’. Contact me for more information. A photograph in which the remote and the familiar combine recalls Michel Foucault’s twofold response to a mirror image. GALLERY NATURE MORTEA1 NEETI BAGH, NEW DELHI 110 049 INDIAOFFICE: (91) 11- 2956-1596 GALLERY: (91) 11-4174-0215 firstname.lastname@example.org / www.naturemorte.com Press Release PUSHPAMALA N.: “Avega -The Passion”Opening on Friday, April 6th from 6 to 8pm. It is at once clear, from the red walls and the dominance of women in the works, that this is a show charged with a lust for power soaked in a whole lot of oestrogen. There is a narrative, a set and a protagonist, which is mostly played by the artist herself. Born in Bangalore, 1956, Pushpamala N has been called “the most entertaining artist-iconoclast of contemporary Indian art”. 8/10 / Purchased 2007. It contains Vasanthi Sankaranarayanan’s translation of C. N. Sreekantan Nair’s play, Kanchana Sita. Mist, symbolising dreams and illusions in theatre and film, engulfs the actors.